“Kill your darlings, kill your darlings, even when it breaks your egocentric little scribbler’s heart, kill your darlings.” (On Writing by Stephen King)
In his memoir on writing, King frequently uses the phrase ‘you must kill your darlings’. Meaning, axe your favorite parts when they detract from the main point. Hypocritically, he ends the whole book with a giant un-cut darling: his car accident in ’99. Though he claims the story illustrates the healing power of writing, he’s just talking about the generalized healing power of work. Setting aside the ending hypocrisy, and the meaningless beginning biography, King packs some powerful big-picture thinking about his craft into the middle chapters that make the whole hodgepodge well worth a read.
To write, you must read and you must write. A lot. Bad writing stems from a fear of being misunderstood. Passive sentences stink. Active sentences rock. You must learn the fundamentals of grammar before you break the rules. Adverbs are weeds that need to be cut. Quote attribution should never be more complicated than ‘he said’ or ‘she said’. The shape of a paragraph has more meaning than the details of a sentence. Write how you speak – if you use simple language in real life, use it on the page – if you speak like an academic during the day, then write like one at night. Write your drafts quickly, all at once. Take a break before editing. Listen to the beat.
Buy – Borrow Now – Borrow Sometime – Avoid
Incidental Learning: You came to learn about writing, you end up learning a lot about Stephen King
Further Reading: Another great writing manual/memoir is ‘Bird by Bird‘ by Anne Lamott